Shoes, Glorious Shoes

I feel pretty confident in declaring that I own a vastly awesome shoe collection. It's not a status oriented kind of collection that screams, Look at me! I wear the latest Tory Burch by day and the newest Louboutins by night. Which is not to say that I don't appreciate fine, expensive shoes. I do have the odd pair of Marc Jacobs heels bought on deep (VERY deep) discount. It's just that mostly I'm far too poor (and cheap) to buy them. What I do own is a little piece of the 20th (working my way up to the 21st) century: black satin dancing shoes from the 30s, alligator pumps from the 40s, Delman spike heels and malachite green French Room snake skin platform pumps and some lucite heeled rhinestone studded beauties from the 50s, a swinging pair of Walter Steiger silver snakeskin t-straps and crazy spectator oxfords from the 60s, loads of wooden platforms from the 70s (both wedged and spiked), a killer pair of Charles Jourdan stilettos from the 80s, and I haven't even mentioned the boots -- 70s western, 80s Frye and Hanna Makler (the boot lady), 90s Italian, and a whole host of other players.

Despite the fact that my closet, Ben's closet, and even the office closet runneth over, I love each and every pair. My shoe loving grandmother would be proud, and naturally I own several pairs of her shoes, too.

The good thing about vintage shoes is that they're unique, and if you're crafty with the Ebay, they're often cheap. The bad thing about vintage shoes is the comfort -- or the lack thereof. You can get lucky and snag an uber plush pair, but more likely you just tough it out. And look hot.

Unless you have a toddler. And then you buy new shoes. Brand new, never worn shoes.

Enter my new Lucky Brand Lexi clog boots, bought with an internet coupon (duh) at Endless. Less expensive than those damn Swedish Hasbeens, and less orthopedic looking than those Jeffrey Campbell boots, they are comfortable, they fit well, and they go with everything. I plan to go dark and boho chic with them, all neutralish textures and patterns and crazy shiny shit galore. Like so:

Graham Atkins Hughes

Commune Design

Elle Decor

Not sure of the source, but I'm pretty sure that's a Vistosi chandelier. Mmmmm...

Francois Halard

Andrea Ferrari

Yeah, I like black. But I also like brown. Tune in for later episodes in my shoe shopping diaries, wherein I confess to both major and minor boot purchases...

I really hope Ben isn't reading this.

On a Clear Day, You Can See Forever

20x200 can be hit or miss for me. On one hand, it makes works by master artists like the Starn twins or Roger Ballen available to middle class collectors, and it also spreads the word about up and coming photographers like Todd Hido and Eirik Johnson. But it can often dive deep into the twee abyss, cranking out overly cute editions. I don't fault them for it (hey, we've all got to make a living somehow), but I like 20x200 best when it takes risks and puts out thoughtful work from relatively unknown artists. And if that thoughtful work is aesthetically interesting, well then super extra bonus points. Long story short, I like recently published Jenny Odell's work a lot. Thank you, 20x200. You get a gold star from me.

Odell's composite images created from satellite views feature industrial buildings, pools, grain silos, and boats. Voyeurism coupled with a smidgen of melancholy, finished by a dash of slick techno remove, makes for a fine series of work.

195 Yachts, Cargo Lines, Tankers, and Other Ships is available for purchase at 20x200 HERE.

I really hope the pools are up for grabs next...

I'm Back I'm Back I'm Back

Somebody slap me in the face! I've spent the last weeks of blogcation idling away my free time -- by which I mean I had very good hair, cooked some very delicious meals, and managed a very cleanish house. Oh, and I bought some very cute shoes, but we shall discuss that later this week. All in all it was lovely, however Karly is now so completely pregnant that she can't even sit up to type and GOOD LORD (or whatever) the girl deserves a break, so I'm taking the blog back... albeit a little halfheartedly.

I am definitely going to miss my good hair.

But I get that it's time to regroup and re energize. Despite the fact that I have barely touched my computer (other than to shoe shop), that I haven't read a blog since prehistoric times (like, weeks ago), that I haven't answered a great many emails (sorry, guys) and am, in fact, a horrible, terrible person, I'm back. I'm back, and it's time to fuck some shit up.

A solid gold bedroom by Dolce and Gabbana.

african haircuts marie claire

Karly has almost bought one of those African haircut plaques about 140 times so this little ray of sunshine goes out to her... image via Marie Claire Maison.

via style files

Bubbles! Yeah, that's where we're at these days. via nytimes.

marjorie kouras

Some old school crazy by Marjorie Skouras.

I am going to give Ike a can of spraypaint and pray this comes out of his chubby little angel baby hands. Courtesy of Gary Hutton Design.

There's more fun where that came from.

Because I'm back.

Did I mention that I'm back?