Happy Belated Earth Day!

I know I'm a little late to celebrate Earth Day, but I just woke up to some sweet treats in my inbox and I have to share. I've written before about how much I like photographer Eirik Johnson's work, so I'm pleased to show selections from his new portfolio of images called Sawdust Mountain, which is due out in book form this May via Aperture. Of his pictures taken along the Northwest coast, Johnson says, "SAWDUST MOUNTAIN tells the story of the tenuous relationship between industries reliant upon natural resources and the communities they support."

sawdust mountain

sawdust mountain

Johnson positions himself as impassive observer through his pale, withdrawn aesthetic. In his best images, judgment is superseded by the simple record. Many of his images are so timeless as to recall the 19th century photographs of the west and its imminent expansion.

sawdust mountain

The sense of scale lends itself to the awe inspiring sublime; to live and work in such an environment is to be dwarfed by nature itself.

sawdust mountain

sawdust mountain

And of course the rural Northwest has a contemporary mythos of its own. Home to such disparate characters as Kurt Cobain and the vampires of Twilight, its brooding darkness suggests an introspection not found in sunnier locales.

sawdust mountain

sawdust mountain

sawdust mountain

Perhaps most present is the great sense of industry, of struggle between nature and humanity, of the brute force necessary to eke out a living from the earth.

sawdust mountain

eirik johnson

Although a solid wood table may cost a thousand dollars or more in a store, it's more than obvious that the money doesn't go to the loggers, that somewhere down the line retailers and middlemen eat up the profits, and that the people living closest to the land are left living hand to mouth.

sawdust mountain

sawdust mountain

Sawdust Mountain has an air of desperation and abandonment, much like that of another blue collar community, Detroit.

sawdust mountain

sawdust mountain

sawdust mountain

Beautiful, but sad. And I can't leave you on a Friday feeling down and out, so I have one more present for you, courtesy of DC reader awesomus maximus, Cristina.

sawdust mountain

So, speaking of natural resources, while it's hard to feel contempt for the loggers, it's somewhat easier to hate on fat cat oil execs who love nothing more than to chant the mantra, Drill Baby, Drill. And why not when there's gold in them there hills? And oceans? And arctic refuges? To commemorate their extraordinary greed, I present this golden oil derrick music box. What song do you suppose it plays?

Singing dolla dolla bill, y'all... Dolla dolla bill, y'all!

Have a good weekend, my special peeps. I'm off to Ikea to, uh, probably buy some stuff made out of wood. Or whatever Ikea "wood" is made from...

Eirik Johnson: Borderlands

After treating you with Erwin Olaf's gorgeously rendered, explosively serene images, I thought I'd offer up some palate cleansing space -- some lime sherbet after the fricasseed chicken, if you will. If the weeks leading up to Christmas, Hannukah, Kwanzaa, insert your holiday here, leave you feeling like you're in limbo, the photographs of Eirik Johnson will appeal to your divided nature. His beautiful landscapes are shot in spaces where man and nature intersect, at the edges of civilization, or in niches of human intervention that are carved out from the wilderness. I first became aware of Johnson's work in the Bay Area, where he exploded on the scene after winning the prestigious Santa Fe Prize. I ain't gonna lie, these are the photographs I wish I had taken while doing my time in da Bay, but I know of no better compliment than envy. Eirik Johnson, you are one bad muthaf- (shut my mouth). But I'm just talking bout Eirik...

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

eirik johnson

I will always have a thing for staged photography -- I love nothing more than tinkering with sets and lights and taking 10 hours to compose one shot. But I also love the realness of these images. The lack of interference and manipulation is refreshing, and I like to think about the wanderlust spent finding these little hidden treasure troves of meaning. Looking at them is like taking a mental walk, a journey of open sight and sense.

See, don't you feel better now? All you needed was a little bit of space to clear all the dancing sugarplums out of your head.

(Is this where I should tell you that you can buy his book for, oh -- I don't know, a gift, if need be? Would that ruin the serenity now?)